Nina Lola Bachhuber – Biographie
1971 geboren in München
1998 Studium an der Hochschule für Bildende Künste Hamburg
lebt in New York
Stipendien und Auszeichnungen
2006
Printing Fellowship Brodsky Center for Innovative Print and Paper
Sculpture Space Utica, NY with Geraldine Dodge Award
2005
NJSCA fellowship for sculpture
Omi International Arts Center
Millay Colony for the Arts
2004
Yaddo Residency Program, Saratoga Springs, New York
2003
Millay Colony for the Arts
2002
Künstlerhaus Hamburg
Yaddo Residency Program, Saratoga Springs, New York
The Pollock-Krasner Foundation Grant
2000
DAAD (German Academic Exchange Service) Scholarship for New York City
International Studio Program, New York City
Einzelausstellungen (Auswahl)
2014
Bankett, Heinz-Martin Weigand Gallery, Berlin
2012
Lolop's Logik, Heinz-Martin Weigand Gallery, Berlin
2010
Nachtschatten, Momenta Art, Brooklyn, NY, USA
Die Königin verneigt sich und tötet, Kunstverein Glueckstadt, Glueckstadt
2008
Locust Plague, Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe
2007
Lucy in the Sky with Diamonds, Gallery Min Min, Tokyo, Japan
Glasgow Sculpture Studios (with Stuart Gurden), Schottland
2006
Not yet a widow, Antje Wachs Galerie, Berlin
Yesterday I Ate a Lizard, Space Other, Boston, USA
Gallery Min Min , Tokyo, Japan
2005
Gallery Min Min, Tokyo, Japan
2003
The social life of mussels, Susanne Vielmetter Los Angeles Projects, USA
Gallery Min Min, Tokyo, Japan
2002
Greyscale (Wall for two rockers), Künstlerhaus Hamburg
2001
Bist lieb, Moltkerei Werkstatt, Köln
2000
Goethe Haus, New York City
1999
Coexistence, DG Kunstverein, München (K)
Schloss Elmau
1998
Kunsthaus Essen (K)
Badewonnen, Gesellschaft der Freunde junger Kunst, Baden-Baden
1996
Kunstverein Fürth
Ausstellungsbeteiligungen (Auswahl)
2013
Dieu Donné Papermill, NY, USA
2011
Workspace Program Artists, Dieu Donné Papermill, NY
An Exchange with Sol LeWitt, MASS MoCA, North Adams and Cabinet Magazine, Brooklyn, NY, USA
2010
What is left, CRLab at Winkleman Gallery, NY, USA
Silent Position, Shikaoi, Hokaido, Japan
Lush Life, Colette Blanchard Gallery, New York, USA
Hair Tactics, kuratiert von Rocio Aranda -Alvarado, Jersey City Museum, NJ, USA
The Arbitrariness of Signs, kuratiert von Sara Reisman, Momenta Art, Brooklyn, NY, USA
Velada Santa Lucia, kuratiert von Rolf Bergmeier, Santa Lucia, Venezuela
The Last Book, kuratiert von Luis Camnitzer, Zentralbibliothek Zürich, Schweiz
2009
bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie | ZKM, Karlsruhe
Back of the Head: Alternative Approaches to Portraiture, Cooper Gallery, Duncan of Jordanstone College of Art & Design, Dundee, Schottland
7th Mercosul Biennial, kuratiert von Victoria Noorthoorn and Camilo Yáñez, Porto Alegre, Brasilien
Impossible Exchange, curated by Filipa Oliveira and Miguel Amado, Frieze Art Fair, London
Exquisite Corpse, kuratiert von Anonda Bell, Paul Robeson Galleries, Rutgers University, NJ, USA
Back of the Head: Alternative Approaches to Portraiture, kuratiert von Jenny Brownrigg and Laura Simpson, Cooper Gallery, Duncan of Jordanstone College of Art and Design, University Of Dundee, Schottland (K)
Multi Media, kuratiert von Rebecca Hackemann, W. Schmidt Gallery, Wartburg College, Waverly, Iowa, USA (K)2008intransit, Moti Hasson Gallery, New York City, USA
The Last Book, kuratiert von Luis Camnitzer, Museum of the National Library of Madrid, Spanien
Casa Barragan, Mexico City, Mexico
Gallery Min Min, Tokyo, Japan
2007
Wunderbare Begebenheiten und andere Märchen, curated by Kerstin Nieman, General Public, Berlin
In practice, curated by Sarina Basta, Sculpture Center , L.I.C., New York, USA
New New York Drawings, curated by Don Desmett, Richmond Center for Visual Arts, Michigan, USA
This Mango is not an iPod, curated by Ben Heywood, Soap Factory, Minneapolis, USA
MASH, curated by Amy Smith-Stewart and Omar Lopez-Chahoud, The Helena, New York, USA
Red badge of Courage, curated by Omar Lopez-Chahoud, The National Newark Building, Newark, USA
NJSC Fellowship recipients, Ben Shahn Galleries, William Paterson University, Paterson, NJ, USA (K)
Transgression/Excess, Space Other, Boston, USA
Swab, Barcelona (with Space Other, Boston)
2006
Drawings, Yoshiko Matsumoto Gallery, Amsterdam, Holland
Remember who you are, kuratiert von Amy Smith-Stewart, Mary Boone Gallery, New York, USA
WoMA, André Schlechtriem Temporary, Inc., New York, USA
2005
Greater New York 2005, P.S.1/MoMA Queens, USA (K)
Hanging by a thread, curated by Nina Arias and José Diaz, The Moore Space , Miami, USA (K)
2004
Zavaleta Lab, curated by Victoria Noorthoorn, Buenos Aires, Argentinien (K)
Von der Heydt-Museum, Wuppertal
Art @ Agnes, Tokyo, Japan
2003
International Paper, UCLA Hammer Museum, Los Angeles, USA (K)
Breaking away, P.S.1/MoMA Queens, USA
Drawings, Metro Pictures Gallery, New York, USA
On paper, Elizabeth Leach Gallery, Portland, USA
Harakiri Bonbon , Kunsthaus and Kunstverein, Hamburg (K)
Junge Kunst 2003, Tuchfabrik, Trier and Kunstverein Trier
Interplay 2, Curated by Silvia Cubiña and Patrik Charpenel, Museo de Arte de Puerto Rico, San Juan, PR
2002
Interplay 1, kuratiert von Silvia Cubiña and Patrik Charpenel, The Moore Space , Miami, USA (K)
Saar Ferngas Förderpreis, Wilhelm-Hack-Museum, Ludwigshafen (K)
The 25 Anniversary Selections Exhibition, The Drawing Center, New York, USA
Exit Art, New York, USA
2001
Walk-About, Ramat Gan Museum, Tel Aviv and Kampnagel, Hamburg (K)
SUK 2, Sesto Senso, Bologna, Italien Form, Gallery Korea, New York, USA
K3, Hamburg, Germany
2000
Selections 2000, The Drawing Center, New York, USA (K)
Kepplvilla, Schwandorf (K)
International Studio Program, New York, USA (K)
Arbeiten in öffentlichen Sammlungen
Museum of Modern Art, New York
Literatur
2004
Hanya Yanagihara, “Drawing resurfaces”, Departures 12/04 p.131-136
2003
Harada Yukiko, “Nina Lola Bachhuber at Gallery Min Min”, Kateigaho International, Japan 11/03
Philip Martin, “International Paper”, tema celeste 97 april-may 2003 p.83
Peter Frank, “The Paper Chase”, art on paper 4/03 p.36
International Paper: Drawings by emerging artists” art on paper 3/03 p.30
Christopher Knight, “Drawing, not toeing the line” LA Times 2/7/03
2002
galerienspiegel, “Greyscale (Wall for two rockers)”, taz Hamburg 8/21/02
Christel Heybrock, “Ironisch, pfiffig, meisterhaft” Mannheimer Morgen 9/6/02
Saar Ferngas “Foerderpreis Junge Kunst 2002” (K)